Bieke Depoorter invariably questions her own position as a photographer and outsider. The night and the moments when no one seems to be watching remain her field of interest, but collaboration and dialogue are now paramount.
On 2017, she met Agata in a striptease bar in Paris. It’s the beginning of a complex relationship where both the photographer and the subject become contributors to the narrative, with the photographic medium as key of dialogue.
Exposed at FOMU among other four of her projects, Depoorter work is accompanied by Agata’s written words on the walls of the exhibition, extracts of...